نوع مقاله : علمی-پژوهشی
نویسندگان
1 زبان و ادبیات فارسی، دانشکده ادبیات و زبان‌های خارجی، دانشگاه مازندران، بابلسر
2 عضو هیات علمی دانشگاه مازندران
3 عضو هیات علمی دانشگاه
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
In the epistemological perspective of Sohrab Sepehri, the intuitive view in interaction with art plays a fundamental role in developing the scope of knowledge and discovering the truth and angles of existence. This artist-poet has once again recreated the affairs and phenomena of existence with a deep and artistic look by passing from the inevitable and imposed constraints of the conventional reality and the usual view. He has used the capabilities and capacities of art to describe and interpret the unknown and unknowable things, convey the perceptual content and life experiences, poetic emotions and other observations in order to expand the boundaries of knowledge and discover the truth. The meaning of artistic re-creation is that the artist, in a pure transformation of understanding and attitude, by transitioning from symbolic knowledge that only shows the procedures and a limited aspect of the subject of knowledge, achieves intuitive knowledge and removes the original facts. Recreate contractual concepts and remove intermediaries. Sepehri with different approaches and methods, including: 1- visualization and experimentalization of situations, findings and perceptual content; 2- Change in the junction and horizon of vision; 3- Using the concepts and terms of different sciences; 4- Philosophical thought and perspective has gone beyond symbolic knowledge and with the artistic interpretation of his life-world, he has devoted himself to the development of the boundaries of knowledge and understanding
کلیدواژه‌ها [English]
یونگ، کارل گوستاو (1396)، روح و زندگی، ترجمه لطیف صدقیانی، تهران: جامی
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