نوع مقاله : علمی-پژوهشی
نویسندگان
1 دانشجوی دکتری زبان و ادبیات فارسی، دانشکده ادبیات، دانشگاه الزهرا، تهران، ایران
2 دانشیار و هیئت علمی زبان و ادبیات فارسی، دانشکده ادبیات، دانشگاه الزهرا، تهران، ایران
3 گروه تاریخ، دانشکده علوم انسانی، دانشگاه تربیت مدرس، تهران، ایران.
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Abstract
The main issue of the present article is to study the left discourse of Marxist in Behazin's stories from his first collection of short stories Scattered (1944) to the revolution of 1979, which ends with the play Kaveh (1977). The authors intend to show how Behazin, as a writer who joined the Tudeh party whereas is against the government's accepted discourse, takes a stand against the government's discourse by writing real or symbolic stories and tries to reflect his own accepted discourse. In addition, this historical review will show the author's transition from the beginning of his membership in the party to their defeat in the mirror of his works. Laclau and mouffe’s discourse analysis method is used to analyze the discourse of mentioned stories, with an emphasis on the central and floating signifiers in each story. This research concluded that Behazin, as a writer committed to party and generally leftist ideals, from the beginning of his fiction writing, when he had just become a member of the Tudeh Party until 1979, tries to reflect the left discourse and hegemony against the discourse of western imperialism. Her belief in committed art has prevented her from fully following the principles of fiction writing, and most of her stories in this context have been written in the service of reflecting Leftist ideology.
کلیدواژه‌ها [English]
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