نوع مقاله : علمی-پژوهشی
نویسندگان
1 عضو هیئت علمی گروه زبان و ادبیا فارسی دانشکده ادبیات و علوم انسانی، دانشگاه شهید بهشتی، تهران. ایران
2 دانش آموخته کارشناسی ارشد رشته زبان و ادبیات فارسی داشنگاه شهید بهشتی و دنشجوی دکتری رشته زبان و ادبیات فارسی دانشگاه تهران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Aesthetic aesthetics is one of the almost new theories in children and adolescent literature and one that is directly related to its past literary criticism, including Bakhtin's Chronotope theory. In this theory, the aesthetic elements of the scene are quoted that have a direct impact on the production of meaning. Therefore, these theories can be considered as a continuation and completion of fruitful theories, including the theories of Gerard Genet, Paul Ricoeur, Grimas and others. In this study, with regard to the theory of Maria Nikolayeva's stage aesthetics and expressing the general characteristics of this theory and its structural features, also referring to the spatial patterns (= house) used in these theories, while giving examples of evidence. From this book, some elements of the aesthetics of the scene in it, the scene in the concept of place in the story of existence by Farhad Hassanzadeh has been studied. The result of this study is that the aesthetic element of the scene is directly related to the production of meaning and is very effective in understanding and receiving the audience, including children and adolescents, and is essential in strengthening their understanding. Hassanzadeh's story of existence also has elements of stage aesthetics that help to produce meaning; the house pattern used in this story is consistent with the Odyssey and Oedipus pattern.
کلیدواژه‌ها [English]
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