بررسی موسیقی در غزل دهۀ نود بر اساس شعر شاعران گمنام

Music is one of the factors that characterize poetic language, which includes two internal and external aspects. The external aspect of music, namely prosodic meter, rhyme, and radif, underwent changes in contemporary poetry with the emergence of ghazal writers such as Simin Behbahani and Hossein Manzavi. These changes have continued until now and, after going through ups and downs, reached relative stability in the last years of the fourteenth century. The analysis and study of music in the ghazals of the poets of the nineties, especially the anonymous poets, yields significant results, which is the main subject and goal of this research. For this purpose, the library research method is used and the music of the ghazals is studied.
The study of prosodic meters and the frequency of their use, the method of using rhyme, mid-rhyme, radif and its types, the use of new and difficult radifs, departure from meter, rhyme, and radif, and the strengths and weaknesses in the music of ghazals of this period are the issues that have been addressed in this research.
The results of this study show that despite the experimentation of poets in innovative meters in the 1990s, traditional and ancient meters continue to be more popular than new meters. Meters that are less flexible and musical have been eliminated from the realm of Persian ghazals over the years, and among the innovative meters, those that have made minor changes to the ancient meters have remained stable.