نوع مقاله : علمی-پژوهشی
نویسندگان
1 دانشجوی دکتری زبان و ادبیات فارسی، دانشکدۀ ادبیات و علوم انسانی، دانشگاه بین‌المللی امام خمینی ره
2 استاد گروه زبان و ادبیات فارسی، دانشکدۀ ادبیات و علوم انسانی، دانشگاه بین المللی امام خمینی (ره)
3 استادیار گروه زبان و ادبیات فارسی، دانشگاه بین‌المللی امام خمینی(ره)
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
The poetry of the socialist realism of Afghanistan, in terms of the quantity of artistic production and attention to ideological issues, modernity, and social-socialist commitment, is one of the most fruitful currents of contemporary Persian poetry in Afghanistan, and the poets of this current have become various types of visualizing elements, socialist concepts, and cultural symbols. They have benefited from the frequency difference. Mythological-epic symbols are a part of the themes and images of the poetry of this trend that the selected poets of the socialist realism of Afghanistan have used these narrative symbols in their imagery and creating themes. Based on this, the present research, using the descriptive-analytical method, based on Gerard Genet's intertextual opinions, explores the process of recreating mythological-epic narratives and themes in the poetry of the socialist realism of Afghanistan, relying on the poems of " Sulaiman Layeq, Bareq Shafiei, Dastgir Panjshiri, Asadollah Habib and Azim" Shahbal", examines and analyzes. The results of this research show that the poets of socialist poetry of Afghanistan have recreated mythological and epic themes and narratives often for political and ideological reasons. They have recreated mythological and epic symbols in the form of allusions, allusions, ironies, similes, and explicit intertextuality, or they have rewritten myths and epics in the form of explicit intertextual references, and they have used the content and aesthetic capacity of myths in reflecting social political thoughts. have used themselves.
کلیدواژه‌ها [English]
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